{"id":12378,"date":"2026-11-07T03:20:05","date_gmt":"2026-11-07T03:20:05","guid":{"rendered":"http:\/\/ashadocs.org\/dictionary\/articulatory-rehearsal-system\/"},"modified":"2026-11-07T03:20:05","modified_gmt":"2026-11-07T03:20:05","slug":"articulatory-rehearsal-system","status":"publish","type":"psych_term","link":"https:\/\/ashadocs.org\/?psych_term=articulatory-rehearsal-system","title":{"rendered":"Articulatory Rehearsal: Engine of Inner Speech"},"content":{"rendered":"<p>Human cognition relies profoundly on the capacity to maintain and manipulate verbal information across brief intervals of time, a phenomenon mediated by internal vocalization. The articulatory rehearsal system serves as the active, subvocal speech mechanism that refreshes decaying acoustic traces and translates visual linguistic input into phonological representations. Without this covert vocal apparatus, complex cognitive behaviors such as language acquisition, reading comprehension, and mental arithmetic would be severely compromised.<\/p>\n<h2>Articulatory Rehearsal System<\/h2>\n<h3>1. Concise Definition<\/h3>\n<p>The <strong>articulatory rehearsal system<\/strong> (often referred to as the <em>articulatory loop<\/em> or <em>subvocal rehearsal mechanism<\/em>) is the active, production-based component of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Phonological_loop\">phonological loop<\/a> within Alan Baddeley and Graham Hitch&apos;s multicomponent model of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Working_memory\">working memory<\/a>. It operates as an internal voice that continuously recirculates verbal, acoustic, and phonemic information through covert articulation, thereby counteracting the spontaneous passive decay of memory traces stored within the phonological store.<\/p>\n<p>Functioning at the intersection of speech motor planning and temporary mnemonic retention, the system also recodes non-auditory stimuli\u2014such as printed text or namable pictures\u2014into a speech-based phonological format accessible to short-term auditory storage. Consequently, the articulatory rehearsal system underpins a wide array of linguistic tasks, bridging sensory perception, motor execution, and higher-order syntactic and lexical processing.<\/p>\n<h3>2. Etymology and Linguistic Origin<\/h3>\n<p>The term derives from three distinct linguistic and conceptual roots. The word <em>articulatory<\/em> traces to the Latin <em>articulatus<\/em>, the past participle of <em>articulare<\/em>, meaning &quot;to separate into joints, utter distinctly, or speak clearly,&quot; originating from <em>articulus<\/em> (the diminutive form of <em>artus<\/em>, &quot;joint&quot;). In modern phonetics and cognitive psychology, it designates the anatomical and physiological movements of the vocal apparatus\u2014including the tongue, lips, velum, and larynx\u2014that produce distinct speech sounds.<\/p>\n<p><em>Rehearsal<\/em> stems from the Old French <em>rehercier<\/em>, literally meaning &quot;to harrow over again&quot; or &quot;to repeat,&quot; formed from the prefix <em>re-<\/em> (&quot;again&quot;) and <em>hercier<\/em> (&quot;to harrow, rake over agricultural ground&quot;), which later shifted in Middle English to denote the systematic repetition of words or performances. The word <em>system<\/em> originates from the Greek <em>syst\u0113ma<\/em> (<em>\u03c3\u03cd\u03c3\u03c4\u03b7\u03bc\u03b1<\/em>), meaning an &quot;organized whole, constitution, or assembly of parts,&quot; derived from <em>synist\u0113mi<\/em> (&quot;to place together&quot;). The compound designation was formally consolidated in cognitive psychology by Alan Baddeley and Graham Hitch in 1974 to describe the active, motoric sub-component of short-term verbal retention.<\/p>\n<h3>3. Pronunciation and Grammatical Form<\/h3>\n<p><strong>Pronunciation:<\/strong> \/\u0251\u02d0r\u02cct\u026akj\u028al\u0259\u02c8t\u0254\u02d0ri r\u026a\u02c8h\u025c\u02d0rs\u0259l \u02c8s\u026ast\u0259m\/ (General American) or \/\u0251\u02d0\u02cct\u026akj\u028al\u0259t\u0259ri r\u026a\u02c8h\u025c\u02d0s\u0259l \u02c8s\u026ast\u0259m\/ (Received Pronunciation).<\/p>\n<p><strong>Grammatical Class:<\/strong> Complex noun phrase (count noun, typically utilized in the singular when referencing the unified cognitive module, or attributively as a nominal modifier).<\/p>\n<p><strong>Morphological Variants and Collocations:<\/strong><\/p>\n<ul>\n<li><em>Articulatory rehearsal<\/em> (noun phrase: the underlying cognitive process or action).<\/li>\n<li><em>Articulatory suppression<\/em> (noun phrase: the experimental paradigm wherein overt or covert vocalization disrupts the rehearsal system).<\/li>\n<li><em>Articulatorily rehearsed<\/em> (participial adjective phrase: denoting items preserved through covert speech).<\/li>\n<li><em>Subvocal rehearsal<\/em> (near-synonymous operational descriptor emphasizing quiet internal speech).<\/li>\n<\/ul>\n<h3>4. Detailed Conceptual Explanation<\/h3>\n<p>To grasp the articulatory rehearsal system, one must locate it within the broader architecture of cognitive processing. Within Baddeley&apos;s multicomponent working memory model, the phonological loop is bifurcated into two mutually dependent structures: the <em>phonological store<\/em> (a passive &quot;inner ear&quot; that retains speech-based acoustic traces for approximately 1.5 to 2 seconds before decay) and the <em>articulatory rehearsal system<\/em> (an active &quot;inner voice&quot; that revives those fading traces through cyclical vocal execution). When an auditory linguistic stimulus enters awareness, it gains direct, obligatory access to the phonological store. However, because these auditory representations are volatile, they rapidly degrade unless the articulatory rehearsal system re-articulates them subvocally, re-depositing their refreshed representations back into the phonological buffer.<\/p>\n<p>In addition to maintenance, the articulatory rehearsal system executes a critical transcoding role. Visual stimuli, such as written words or recognizable icons, lack direct acoustic entry into the phonological store. To be retained phonologically, visually presented items must first be translated into speech codes through grapheme-to-phoneme conversion or lexical retrieval. The articulatory rehearsal system carries out this silent articulation, naming the items internally and projecting their phonemic signatures into the phonological store. If articulatory rehearsal is experimentally blocked or neurologically impaired, visually presented verbal material cannot enter the phonological store, rendering it vulnerable to immediate displacement and precluding phonological similarity effects for read stimuli.<\/p>\n<p>Neurobiologically, the articulatory rehearsal system recruits classical motor and premotor speech regions of the human brain. Functional neuroimaging demonstrates that subvocal rehearsal engages <a href=\"https:\/\/en.wikipedia.org\/wiki\/Broca%27s_area\">Broca&apos;s area<\/a> (left inferior frontal gyrus, Brodmann areas 44 and 45), the premotor cortex (Brodmann area 6), the supplementary motor area (SMA), and the anterior insula, alongside the right cerebellum. This distributed network parallels the neural circuitry required for overt vocal output. The physiological planning of speech is maintained while overt motor realization is inhibited at the level of the peripheral musculature, confirming that inner speech relies upon the actual motor machinery of speech production rather than abstract symbolic manipulation.<\/p>\n<h3>5. Historical Development<\/h3>\n<p>Prior to the mid-twentieth century, short-term retention was conceptualized primarily as a passive, unitary repository. In the late 1950s and 1960s, models such as the Atkinson-Shiffrin &quot;modal model&quot; posited a short-term store (STS) that acted both as a temporary holding pen and as an active working space. In this architecture, rehearsal was viewed as a general-purpose mechanism: the longer an item resided in the STS via rote verbal repetition, the higher the probability of its permanent consolidation into long-term memory. However, empirical contradictions soon emerged. Patients with selective brain damage who presented with drastically reduced short-term memory spans nonetheless demonstrated preserved long-term learning and intact general intelligence, a finding incompatible with a unitary intermediate gateway.<\/p>\n<p>In 1974, Alan Baddeley and Graham Hitch published their seminal paper proposing a tripartite working memory system, dividing the unitary store into a central executive, a visuospatial sketchpad, and a phonological loop. Early iterations referred to the latter as the &quot;articulatory loop,&quot; highlighting the primacy of motor rehearsal. By the early 1980s, Baddeley, alongside colleagues such as Neil Thomson and Mary Buchanan, refined the concept by documenting the &quot;word-length effect,&quot; demonstrating that memory span is not bounded by a fixed number of items, but rather by the duration of time required to articulate those items subvocally. They observed that individuals could typically recall as many words as they could read or utter aloud in approximately two seconds.<\/p>\n<p>Throughout the 1990s and 2000s, cognitive neuroscience validated this functional partition. Studies employing positron emission tomography (PET) and functional magnetic resonance imaging (fMRI) by researchers including Edward Smith, John Jonides, and Cathy Price conclusively dissociated the phonological store (localized to the left posterior parietal cortex, specifically the supramarginal gyrus) from the articulatory rehearsal system (localized to anterior frontal speech motor structures). This empirical dissociation cemented the articulatory rehearsal system as an indispensable, physically instantiated component of human executive and linguistic architecture.<\/p>\n<h3>6. Theoretical Foundations<\/h3>\n<p>The articulatory rehearsal system is grounded within motor theories of perception, information processing theory, and modular cognitive architectures. A primary theoretical framework informing the system is the Motor Theory of Speech Perception, historically advanced by Alvin Liberman and colleagues at Haskins Laboratories. This theory posits that speech sounds are perceived and mentally represented in terms of the neuromotor commands required to produce them, rather than solely as raw acoustic waveforms. The articulatory rehearsal system embodies this tenet: internal verbal memory traces are maintained via motoric simulations of vocal tract gestures.<\/p>\n<p>Furthermore, the system reflects the principles of action-perception coupling. When an individual engages in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Internal_monologue\">inner speech<\/a>, the central nervous system generates an &quot;efference copy&quot;\u2014an internal corollary discharge of the motor command sent from frontal motor areas to sensory cortices. This predictive signal primes the auditory and phonological regions to recognize the planned utterance. In the articulatory loop, this predictive forward model permits the rapid, accurate re-encoding of phonological traces without generating external acoustic signals. The continuous back-and-forth loop between anterior motor structures and posterior sensory areas forms a closed functional circuit that prevents the dissipation of linguistic representations in the face of temporal delay or environmental interference.<\/p>\n<p>Finally, theoretical models of computational working memory, such as the Burgess and Hitch network model, conceptualize articulatory rehearsal as a rhythmic, oscillator-driven cycle. These models demonstrate how phonological tokens are linked to temporal or ordinal context nodes, where the articulatory system systematically fires corresponding phoneme sequences. This cyclical reactivation mechanism prevents catastrophic forgetting in artificial neural networks and mirrors human capacity limits.<\/p>\n<h3>7. Key Components, Types, and Dimensions<\/h3>\n<p>The articulatory rehearsal system comprises several interlocking functional dimensions and operational characteristics:<\/p>\n<ul>\n<li><strong>Subvocal Articulation Motor Engine:<\/strong> The covert activation of speech production apparatus\u2014including the larynx, tongue, and soft palate\u2014without overt acoustic emission, generating the internal subjective sensation of talking to oneself.<\/li>\n<li><strong>Grapheme-to-Phoneme Recoder:<\/strong> The translation apparatus responsible for converting visually apprehended orthographic symbols (letters, words) into speech-based codes to grant them entry into the phonological buffer.<\/li>\n<li><strong>Temporal Decay Countermeasure:<\/strong> The time-critical mechanism that cycles through stored traces to refresh them before their intrinsic 1.5-to-2-second biological lifespan elapses.<\/li>\n<li><strong>Temporal Bandwidth Limitation:<\/strong> The intrinsic physical ceiling of the system, dictated by the individual&apos;s overt speech rate; memory span is directly proportional to how many lexical items can be articulated within the rapid temporal decay window.<\/li>\n<li><strong>Overt versus Covert Rehearsal:<\/strong> Two functional modes of the system; overt rehearsal involves vocalized, audible repetition, while covert rehearsal involves silent, inner motor execution with peripheral muscle activity attenuated.<\/li>\n<li><strong>Maintenance versus Elaborative Modes:<\/strong> Maintenance rehearsal uses the system strictly for rote cyclic persistence, whereas elaborative processing binds the circulating articulatory tokens to semantic structures in long-term memory.<\/li>\n<\/ul>\n<h3>8. Examples and Illustrative Cases<\/h3>\n<p>Everyday cognitive performance frequently mobilizes the articulatory rehearsal system. A classic instance occurs when a person attempts to retain an unfamiliar seven-digit telephone number without writing it down. The individual rapidly and repeatedly recites the sequence internally (&quot;555-01-99, 555-01-99&quot;). This silent repetition is the articulatory rehearsal system actively keeping the ephemeral digits above the threshold of decay. If another individual interrupts and asks a question, rehearsal ceases; the motor planning is aborted, and the phone number vanishes within two seconds.<\/p>\n<p><span class=\"arabpsy-eq\" dir=\"ltr\">A second illustrative example appears in mental arithmetic. When performing multi-step operations such as multiplying 17 by 6 mentally, an individual breaks the operation into intermediate calculations (10 \u00d7 6 = 60; 7 \u00d7 6 = 42). To hold the intermediate product &quot;60&quot; in mind while simultaneously calculating &quot;42&quot; and performing the terminal summation (60 + 42 = 102), the articulatory rehearsal system subvocally repeats &quot;sixty&#8230; sixty&#8230;&quot; in rapid alternation with the secondary arithmetic operations. Without this internal verbal refresh, the interim numerical product dissolves before the final addition can occur<\/span>.<\/p>\n<p>A third clinical case illustration is observed in patients presenting with apraxia of speech or conduction aphasia resulting from stroke. A patient with damage to the left inferior frontal premotor areas may retain an intact auditory perception and a normal phonological store (they can understand spoken sentences and recognize errors), yet they fail completely on verbal short-term memory tests involving visual presentation. Because their motor planning system cannot execute the articulatory movements covertly, they cannot translate visual letters into phonological forms, causing their visual digit span to plummet to one or two items.<\/p>\n<h3>9. Measurement and Assessment<\/h3>\n<p>Cognitive psychologists and neuropsychologists utilize targeted experimental paradigms and clinical instruments to isolate and quantify the operations of the articulatory rehearsal system:<\/p>\n<p><strong>1. Articulatory Suppression Paradigms:<\/strong> The definitive diagnostic manipulation of this system. Participants are instructed to repeat an irrelevant verbal utterance continuously (e.g., &quot;the, the, the&quot; or &quot;cola, cola, cola&quot;) at a steady pace while concurrently attempting to memorize a list of presented items. Articulatory suppression occupies the motor speech mechanisms, preventing covert rehearsal. When suppression is active:<\/p>\n<ul>\n<li>The <em>word-length effect<\/em> for visually and auditorily presented words is abolished.<\/li>\n<li>The <em>phonological similarity effect<\/em> disappears for visually presented stimuli (since they cannot be converted into speech codes), but persists for auditorily presented items (which access the phonological store directly).<\/li>\n<\/ul>\n<p><strong>2. Word-Length Effect Assessments:<\/strong> Researchers present lists of words equated for frequency, familiarity, and syllables, but differing systematically in spoken duration (e.g., &quot;bishop, ember, wicket&quot; vs. &quot;coalesce, derive, submit&quot;). By calculating the linear regression between an individual&apos;s articulation rate (measured in words spoken per second) and their serial recall span, clinicians establish the precise temporal capacity of the articulatory loop.<\/p>\n<p><strong>3. Standardized Clinical Batteries:<\/strong> Several validated psychometric tools measure the operational output of this system:<\/p>\n<ul>\n<li><em>Wechsler Adult Intelligence Scale (WAIS-IV) \u2013 Digit Span Forward:<\/em> Evaluates the raw capacity of phonological storage and articulatory refresh cycles.<\/li>\n<li><em>Comprehensive Test of Phonological Processing (CTOPP-2) \u2013 Rapid Automized Naming (RAN):<\/em> Assesses the efficiency with which visual symbols are converted into articulatory speech codes.<\/li>\n<li><em>Children&apos;s Test of Nonword Repetition (CNRep):<\/em> Evaluates phonological working memory and articulatory motor planning by challenging subjects to repeat phonotactically legal but unfamiliar nonwords (e.g., &quot;perplisteronk&quot;).<\/li>\n<\/ul>\n<h3>10. Applications and Practical Significance<\/h3>\n<p>The articulatory rehearsal system has wide-reaching implications across multiple educational, clinical, and human-performance settings:<\/p>\n<p><strong>Second Language Acquisition:<\/strong> Acquiring novel vocabulary necessitates mapping unfamiliar phonemic structures onto mental representations. The articulatory rehearsal system serves as an indispensable language-learning device. Learners who subvocally rehearse unfamiliar foreign words show dramatically accelerated rates of lexical acquisition. When articulatory rehearsal is experimentally suppressed or impaired, the learning of foreign vocabulary drops near zero, whereas the learning of semantic associations between familiar native words remains unaffected.<\/p>\n<p><strong>Reading Comprehension and Literacy:<\/strong> During early reading instruction, children utilize the articulatory rehearsal system for phonological decoding\u2014sounding out letters and blending them into words. In mature readers, silent reading continues to evoke subvocal articulation, which maintains grammatical clauses in working memory long enough for the syntactic processor to parse complex sentence structures and resolve pronominal references.<\/p>\n<p><strong>Neurorehabilitation and Gerontology:<\/strong> In patients recovering from traumatic brain injuries, aphasias, or neurodegenerative conditions (such as primary progressive aphasia), targeting articulatory rehearsal mechanisms through speech therapy restores functional short-term independence. Cognitive training programs that emphasize pacing techniques and rhythmic vocalization help preserve working memory functionality in aging populations exhibiting slowed motor processing speed.<\/p>\n<h3>11. Research and Empirical Evidence<\/h3>\n<p>Decades of empirical investigation have solidified our understanding of the articulatory rehearsal system. Baddeley, Thomson, and Buchanan (1975) first systematically demonstrated the word-length effect across a series of landmark experiments. They proved that short words (e.g., &quot;sum, pay, wit, bar, hop&quot;) yielded significantly higher recall accuracy than long words (e.g., &quot;university, opportunity, tuberculosis, refrigerator, representative&quot;), establishing that the phonological loop capacity is bounded by temporal duration rather than informational chunks.<\/p>\n<p>Neuroimaging experiments by Paulesu, Frith, and Frackowiak (1993) provided anatomical verification of the working memory split. Using PET, they tasked subjects with an item-recognition task for English letters versus a visual control task. Their findings revealed that phonological storage activated the left supramarginal gyrus (Brodmann area 40), while active rehearsal engaged Broca&apos;s area (Brodmann area 44) and the insula, isolating the motor components of the system in the front of the brain.<\/p>\n<p>Further empirical research by Vallar and Baddeley (1984) evaluated patient P.V., an adult who suffered a focal stroke affecting the left posterior perisylvian region. P.V. exhibited a profoundly reduced auditory digit span (two items), yet preserved normal speech production. Experimental testing showed that P.V. exhibited no phonological similarity effect for visual items, yet demonstrated normal phonological similarity effects for spoken words. This verified that while her phonological store was structurally compromised, her frontal articulatory rehearsal system remained intact, capable of executing motor tasks but unable to pass information into a functioning posterior store.<\/p>\n<h3>12. Cultural and Cross-Cultural Considerations<\/h3>\n<p>One of the most compelling cross-cultural demonstrations in cognitive science directly involves the articulatory rehearsal system: linguistic variations in numeral articulation rates. Cross-linguistic studies conducted by Naveh-Benjamin and Ayres (1986), as well as foundational work by Ellis and Hennelly (1980), demonstrated that digit spans differ dramatically across speakers of different languages. For instance, native speakers of Cantonese and Mandarin Chinese consistently exhibit larger numerical memory spans (frequently achieving 9 to 10 digits) compared to native English speakers (who average 7 digits), while Welsh speakers exhibit spans slightly lower than English speakers.<\/p>\n<p>This discrepancy does not reflect differences in structural intellectual capacity; rather, it is a direct mechanical consequence of the articulatory rehearsal system. In Mandarin, monosyllabic number words are articulated exceptionally rapidly (e.g., &quot;y\u012b, \u00e8r, s\u0101n&quot;), taking fewer milliseconds per syllable than English equivalents (e.g., &quot;seven&quot; is bisyllabic). In Welsh, numbers such as &quot;saith&quot; (seven) or &quot;pedwar&quot; (four) require longer vowel durations and complex consonant clusters to articulate. Because the articulatory rehearsal system is constrained by a fixed temporal envelope of roughly two seconds, individuals speaking languages with shorter articulation times can rehearse more digits within the cycle, resulting in significantly larger working memory spans.<\/p>\n<h3>13. Criticisms, Debates, and Limitations<\/h3>\n<p>Despite its widespread adoption, the articulatory rehearsal system has faced persistent theoretical challenges and empirical counter-arguments:<\/p>\n<p><strong>1. The Pure Time-Decay Model Dispute:<\/strong> The classical premise that items decay purely due to the passage of time\u2014and are preserved solely by time-dependent articulatory refresh\u2014has been contested. Researchers such as Klaus Oberauer and Stephan Lewandowsky argue that memory loss in working memory is driven primarily by interference (both retroactive and proactive) and feature overwriting, rather than pure passive temporal decay. Consequently, they contend that the benefits of rehearsal may stem from attentional refreshing rather than strict motor speech simulation.<\/p>\n<p><strong>2. The Articulatory vs. Acoustic Debate:<\/strong> Questions have arisen regarding whether rehearsal is strictly motoric or whether an abstract acoustic or attentional rehearsal mechanism exists. Some individuals with severe dysarthria or anarthria (congenital inability to articulate due to peripheral neuromuscular lesions) exhibit normal phonological similarity effects and word-length effects, suggesting that the central planning of speech\u2014or central attentional cycling\u2014can function even when the physical motor apparatus is entirely offline.<\/p>\n<p><strong>3. Non-Articulatory Refreshing:<\/strong> Nelson Cowan&apos;s embedded-processes model and foreign research paradigms suggest that attentional focusing can maintain verbal items without engaging overt or covert vocal machinery. This process, termed &quot;cognitive refreshing,&quot; relies on the central executive directing its focus of attention across items sequentially, suggesting that the articulatory rehearsal system is an auxiliary, specialized strategy rather than the sole pathway for verbal maintenance.<\/p>\n<h3>14. Related Terms and Distinctions<\/h3>\n<p>The articulatory rehearsal system must be carefully distinguished from adjacent cognitive constructs:<\/p>\n<ul>\n<li><strong>Phonological Store:<\/strong> The passive, posterior receptive buffer that temporarily holds acoustic\/phonological information. In contrast, the articulatory rehearsal system is an active, anterior motor mechanism that refreshes those contents.<\/li>\n<li><strong>Inner Speech (Internal Monologue):<\/strong> A broader subjective psychological phenomenon encompassing silent verbal thought, self-reflection, and inner dialogue. Articulatory rehearsal is a specialized, task-driven operational subset of inner speech dedicated to serial working memory maintenance.<\/li>\n<li><strong>Attentional Refreshing:<\/strong> A non-motoric maintenance mechanism that uses the spotlight of attention to reactivate decaying memory traces across any modality (verbal, spatial, or visual), whereas articulatory rehearsal is exclusively verbal and motor-based.<\/li>\n<li><strong>Visuospatial Sketchpad:<\/strong> The parallel working memory subsystem responsible for retaining visual images and spatial coordinates, entirely dissociated from phonemic articulation.<\/li>\n<li><strong>Central Executive:<\/strong> The supervisory attentional controller that coordinates subsidiary loops (including the articulatory rehearsal system), allocates cognitive resources, and executes cognitive switching.<\/li>\n<\/ul>\n<h3>15. Summary and Key Takeaways<\/h3>\n<p>The articulatory rehearsal system is an essential component of human working memory, operationalized as an active, covert vocal mechanism that preserves verbal information against temporal decay. Working in tandem with the passive phonological store, it translates non-auditory visual stimuli into phonemic code, drives verbal short-term memory capacity, and enables crucial activities such as language learning, syntactic comprehension, and mental calculation. Confirmed by neuroimaging to reside in anterior speech motor areas including Broca&apos;s area and the supplementary motor area, its capacity is fundamentally dictated by real-time speech articulation rates across individuals and languages.<\/p>\n<h2>References<\/h2>\n<ul>\n<li>Baddeley, A. D., &amp; Hitch, G. (1974). Working memory. In G. H. Bower (Ed.), <em>The Psychology of Learning and Motivation: Advances in Research and Theory<\/em> (Vol. 8, pp. 47\u201389). Academic Press.<\/li>\n<li>Baddeley, A. D., Thomson, N., &amp; Buchanan, M. (1975). Word length and the structure of short-term memory. <em>Journal of Verbal Learning and Verbal Behavior<\/em>, 14(6), 575\u2013589. https:\/\/doi.org\/10.1016\/S0022-5371(75)80045-4<\/li>\n<li>Ellis, N. C., &amp; Hennelly, R. A. (1980). A bilingual word-length effect: Implications for intelligence testing and the relative ease of mental calculation in Welsh and English. <em>British Journal of Psychology<\/em>, 71(1), 43\u201351. https:\/\/doi.org\/10.1111\/j.2044-8295.1980.tb02728.x<\/li>\n<li>Naveh-Benjamin, M., &amp; Ayres, T. J. (1986). Digit span, speech rate, and linguistic relativity: An examination of the word length effect in four languages. <em>Journal of Experimental Psychology: Learning, Memory, and Cognition<\/em>, 12(4), 541\u2013551. https:\/\/doi.org\/10.1037\/0278-7393.12.4.541<\/li>\n<li>Paulesu, E., Frith, C. D., &amp; Frackowiak, R. S. (1993). The neural correlates of the verbal component of working memory. <em>Nature<\/em>, 362(6418), 342\u2013345. https:\/\/doi.org\/10.1038\/362342a0<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The articulatory rehearsal system is the active motor component of the phonological loop in working memory, responsible for refreshing verbal traces through covert inner speech.<\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","categories":[128,29814,1181],"tags":[4561,36317,1074,8408,29389,36318,2086],"class_list":["post-12378","psych_term","type-psych_term","status-publish","hentry","category-cognitive-psychology","category-memory","category-neuropsychology","tag-alan-baddeley","tag-articulatory-rehearsal","tag-cognitive-psychology","tag-inner-speech","tag-phonological-loop","tag-speech-production","tag-working-memory"],"_links":{"self":[{"href":"https:\/\/ashadocs.org\/index.php?rest_route=\/wp\/v2\/psych_term\/12378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ashadocs.org\/index.php?rest_route=\/wp\/v2\/psych_term"}],"about":[{"href":"https:\/\/ashadocs.org\/index.php?rest_route=\/wp\/v2\/types\/psych_term"}],"author":[{"embeddable":true,"href":"https:\/\/ashadocs.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/ashadocs.org\/index.php?rest_route=\/wp\/v2\/psych_term\/12378\/revisions"}],"wp:attachment":[{"href":"https:\/\/ashadocs.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ashadocs.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ashadocs.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}